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Véronique N. Doumbé

Born in France, Véronique N. Doumbé was raised in Cameroon, France and Ivory Coast. She wears multiple hats as editor, director and producer. She works in fiction and documentary. She enjoys collaborating with filmmakers from across the globe.

She is a co-founder of the Paris based Collectif des Cinéastes Non Alignées (CCNA), a member of the Barcelona Documentary Club (BncDoclub), the Documentary Association of Europe (DAE). She serves on the Steering Committee of The Anti- Racism TaskForce for European Film (ARTEF). She also a member of Film Fatales, The D-word, Brown Girls Doc Mafia (BGDM), and the Black Documentary Collective (BDC).


Véronique N. Doumbé served on the Board of Directors of New York Women in Film and Television (NYWIFT-Membership, 2009-2012).


Movies she recently worked on
As an Editor:
- The Inner Wound Real directed by Carrie Hawks (documentary – US 2022)
- Maya and her lover directed by Nicole Sylvester (feature-US-2021)
- There All Along-Women of Trinidad and Tobago directed by Dr. Keisha Thompson (documentary-US-2020)

- Sens Dessus-Dessous directed by Matamba Kombila (TV series-9 episodes Gabon- 2019)

- Black Enuf directed by Carrie Hawks (NY-Emmy nominated documentary-US-2017)
- Title VII directed by Nicole Franklin ((feature-US-2017) As a Line producer:
⁃ Turned Out directed by Ritu Pande (short-US-2017)
⁃ Boys & Girls directed by Darik Bernard (Tv pilot- US-2017)
⁃ Marz directed by Bobby Yan (short -US-2016)


Véronique N. Doumbé is currently developing RAISING ZULY, a documentary about French tap dancer Roxane Butterfly and her daughter Zuly who happens to have Down syndrome.

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